Anna Mészáros is a visual artist, her work spans sculpture, installation, image-based processes, and textual research.
Her practice is informed by language, media theory, and spacial studies. Anna's work is shaped by the engagement with entangled spaces, focusing on how different spaces are linked and nested within each
other. Spaces, understood as actual places and concrete
relationships, as well as linguistic connections, fields of
association, and ideological or visual constructs. Her central interest lies in situations that carry traces of divergent contexts -
a
field of tension from which questions emerge for her work.
She studied visual arts and sculpture at the Universität der Künste Berlin, the School of the Art Institute of Chicago, and the Royal College of Art in London. In addition, she holds a MA degree in Philosophy and Sinology from Eötvös Loránd University in Budapest.
Anna's work has been exhibited at venues, including the Croatian Pavilion at the 60th Venice Biennale (featured in the project By the Means at Hand by Vlatka Horvat), Venice (IT); Brandenburgisches Landesmuseum für Moderne Kunst | Dieselhaus, Cottbus (DE) - IKG; Bacio, Bern (CH); Künstlerhaus Sootbörn, Hamburg (DE); Galerie in Saalbau, Berlin (DE); Galerie Hafemann, Wiesbaden (DE); Kühlhaus, Berlin (DE); Alte Münze, Berlin (DE); Kunstverein Plauen, Plauen (DE); and Standpoint Gallery, London (UK) among others.
She participated in various artist residency programs and her work was awarded with scholarships and grants regularly.